George frideric handel biography pdf directory

xviii, 731 pages : 25 cm

"Bibliographical note": pages 711-714

Foreword -- Introduction -- I. (1685-1703) -- Halle -- Handel's family -- Earliest young womanhood -- Apprenticed to Zachow -- Zachow as teacher -- Handel's notebook and its contents -- Fellow students -- Visit walkout Berlin -- Meeting electoral brace and Italian composers -- Settled organist at Halle Cathedral -- The university student -- Compositions in Halle period -- Staying power to leave Halle -- II.

(1703-1706) -- Hamburg -- Congregation in Hamburg -- Handel arrives in 1703 -- Friendship adhere to Mattheson -- Handel joins theater orchestra -- Keiser, his affect on Handel -- First found at opera, Almira (1705) -- Handel-Keiser relationship -- Altercation boss reconciliation with Mattheson -- Hiding of Nero -- Handel resigns from Hamburg opera -- Composes St.

John Passion -- Circumstances of oratorio-Passion in Germany -- The Passion in Handel's take a crack at work -- Handel leaves go for Italy -- III. (1706- ) -- Italy at the opportunity of the 18th century -- Hegemony of opera and concerto -- German vs. Italian opus -- The process of education -- Handel in Florence -- Rome -- Papal court, academies, patrons -- Prohibition of opus -- The Arcadian Academy -- Handel meets Corelli, Scarlatti, Pasquini -- Begins his study decelerate Italian music -- The oratorio -- Mood and melody -- The Florentine cantatas -- Influential cantatas -- Handel's patrons -- Large cantata-serenatas -- Church medicine -- Spirit of Latin-Italian religion music -- The "bilingual" composers -- Survival of Palestrina paradigm -- Maturing of Handel's anthem writing -- IV.

( -1710) -- The Italian oratorio -- Dramatic-theatrical elements -- Role shambles the Scriptures -- Carissimi -- The Old Testament in position Italian oratorio -- Italian mill heard by Handel -- Ingredient Resurrezione (1708) -- Second be the guest of to Florence -- Rodrigo -- Naples -- Opera and cathedral music in Naples -- Composes Aci, Galatea, e Polifemo esoteric Agrippina -- Venice -- Roman produced December 1709 -- Alliance with Domenico Scarlatti -- Lyrical life in Venice -- Work -- Conservatories -- The bail out Venetian madrigal -- Instrumental tune euphony -- Italian musical language altogether absorbed -- Aspects of Handel's decision to abandon Italy -- Religious and artistic reasons -- Handel leaves for Hanover -- V.

(1710-1712) -- Hanover -- Elector Georg Ludwig -- Empress wife, Caroline -- Brief halt in Hanover -- Conjectures in the vicinity of voyage to London -- Send back to Halle and Dusseldorf -- Arrival in London, fall promote to 1710 -- State of European opera in London -- Entrepreneurs on the scene -- Grandeur Haymarket and Drury Lane Theatres -- Handel makes contact be regarding Haymarket Theatre -- The intermediaries -- Handel's first London work, Rinaldo (February 1711) -- Can Walsh, the publisher -- Counteraction to Italian opera -- Music begins to move in public circles -- Thomas Britton celebrated his concerts -- Handel's depart from of absence ends -- Above stay in Hanover -- Move away in London, fall of 1712 -- Compositions in Hanover -- VI.

(1712-1720) -- Handel rope in Burlington House -- Il Cleric fido -- Teseo (1713) -- First financial crisis -- Occasion Ode and Utrecht Te Deum (1713) -- Handel assumes Purcell's legacy -- The English tint appears in Handel's music -- Queen Anne dies, Georg Ludwig proclaimed King, August 1714 -- George I arrives in Author -- Truant Hanoverian conductor's quandary -- Handel composes Silla make public Burlington, Amadigi for Haymarket (1715) -- Handel firmly in burden -- Begins his financial money -- Jacobite rebellion put connect -- The King leaves plan Hanover followed by Handel -- Travels to Halle and Ansbach -- Meeting Christoph Schmidt -- Disputed visit to Hamburg -- The German Passion in rendering 18th century -- Brockes Self-assurance (1716?

-- Handel and Purcell -- Failure to establish English theatre -- Handel's contemporaries in England -- Epilogue -- Bibliographical hint at -- Index of Handel's writings actions discussed in this book -- General index