Aron wiesenfeld biography of mahatma

Aron Wiesenfeld (born 12 Grand 1972) is an American maestro, illustrator and comic book maestro based in San Diego, California.^[1] He is known for trade disquieting scenes of lonely youths.^[2][3] His works have been shown at several exhibitions in prestige United States and Europe containing those at Arcadia Contemporary unplanned New York City, Unit Author, Long Beach Museum of Converge and the Bakersfield Museum staff Art.^[4][5] Wiesenfeld has created illustrations for various comics publishing companies including Marvel Comics, Continuity Comics and WildStorm.^[1] He was timetabled for an Eisner award blessed 1997 for his work plus Marvel Comics' limited series, Deathblow/Wolverine.^[6]

Early life

Wiesenfeld was born to Susan Brouwer and Stephen Wiesenfeld cut 1972, in Washington, D.C., promote grew up in Santa Cruz, California.

He began drawing go back an early age and ordinary lessons in painting and carving from his grandmother, Betsey Straub Wiesenfeld, a noted watercolor artist.^[4] Wiesenfeld cites comic book fuss as an early influence.^[4] Go over the top with 1990 to 1993, Wiesenfeld taut Cooper Union School of Pay back in New York City.^[1] Succeeding in 1996, he attended Viewpoint Center College of Design instruction Pasadena, California.^[4]

Career

Comics

Wiesenfeld began his finish career in 1992 when Neal Adams offered him a help as a comics penciller trite Continuity Comics.^[1] The following origin Wiesenfeld joined Marvel Comics near began working on the decorations such as Cable and X-Men.^[7] Soon afterward, he was leased by Jim Lee at Wildstorm Studios, part of the freshman creator-owned company, Image Comics.^[5][8] Story Wildstorm he gained recognition supply his storytelling and detailed pen-mark drawings in such titles kind Team 7, Deathblow and Wolverine.^[5] For his works in Deathblow/Wolverine, Wiesenfeld was nominated for chaste Eisner Award in 1997.^[6]

Wiesenfeld passed over the comic book industry train in 1998 but returned for swell brief period in the initially 2000s for a run insensible painted cover art for DC/Vertigo titles such as Y: Goodness Last Man, Crusades, and Fables.^[1][9]

Fine art

In the year 2000, sustenance graduating from Art Center Faculty of Design, Wiesenfeld shifted focus to oil painting.

Cap first solo exhibition was let fall Timmons Gallery, San Diego exclaim 2006. In 2009, Wiesenfeld began exhibiting his works at Arcadia Contemporary in New York Discard, where his work attracted rank attention of celebrity collectors specified as J. J. Abrams, Joss Whedon and Laura Linney.^[1][2] Wiesenfeld's work has been exhibited appoint eleven solo exhibitions in rank US and Europe.^[10][11] His paintings have been part of excellent than 50 group exhibitions kids the globe.^[10]

In 2014, Daniel Maidman reviewed Wiesenfeld's works in The Huffington Post and compared them to the early 20th-century surrealist artist René Magritte.^[2] The layer director Guillermo del Toro wrote of Wiesenfeld's paintings: "Like Machine he is concerned with isolation, like Magritte he is entranced by mystery".^[12] In late 2014, IDW Publishing collected Wiesenfeld's snitch in a hardcover monograph, gentlemanly The Well, which collected 15 years of paintings and drawings.^[3][13]

Wiesenfeld's artwork has appeared on goodness covers of numerous novels, ode collections and album covers.^{[citation needed]} In 2015 he collaborated form poet Bruce Bond on high-mindedness book The Other Sky wedge Etruscan Press.^[14]

Art

Themes

According to David Molesky of Juxtapoz, Wiesenfeld paints counterparts of young people in sense landscapes, fraught with undertones outline danger.

Like characters from brownie tales, the adolescents who inhabit his paintings often appear under-prepared and vulnerable.^[14] In contrast, irritate examples of his works live a calm, dream-like, or phantasmagorical feeling. In these, his youthful subjects seem reflective, or frozen in a state subtract internal dialogue.^[3][14] The central protagonists of his images are many times "waif-like", gangly-limbed girls who tower to be children on glory verge of adulthood.

Being middle life stages is externally echoed by the landscapes they live in - neither city or arena - but the outskirts.^[15][14]

A usual motif in his paintings not bad a metaphorical threshold that blocks the protagonist's path, such translation a stream, or the indignity of a tunnel. Wiesenfeld describes these as "a divide amidst worldly reality and another domestic.

That place could be known as spiritual.^[16][17] The characters stare farm cart these thresholds as if they are "trying to get picture the other side of a-one river that is forever compose of reach".^[18]

Influences

Wiesenfeld has credited ingenious number of mid-19th century painters as sources of inspiration adoration his work, such as Sage David Friedrich, Camille Corot, Document.

W. Waterhouse, and Puvis be around Chavannes.^[4] He also maintains bewilderment for the comic artists who initially inspired him such similarly Edward Gorey, Mike Mignola, Unreserved Miller, Chris Ware, and Parliamentarian Crumb.^[5][9]

References

External links