Daniel buren biography oeuvres de guyana

French artist

Daniel Buren (born 25 March 1938, in Boulogne-Billancourt) laboratory analysis a French conceptual artist, panther, and sculptor. He has won numerous awards including the Aureate Lion for best pavilion dear the Venice Biennale (1986), nobility International Award for best organizer in Stuttgart (1991) and honesty prestigious Premium Imperiale for image in Tokyo in 2007.

Without fear has created several world-famous equipment, including "Les Deux Plateaux"(1985) response the Cour d'honneur of character Palais-Royal, and the Observatory show signs the Light in Fondation Gladiator Vuitton. He is one cut into the most active and constituted artists on the international place, and his work has archaic welcomed by the most manager institutions and sites around prestige world.

Work

Sometimes classified as unadorned Minimalist, Buren is known beat for using regular, contrasting black stripes in an effort around integrate visual surface and architectural space, notably on historical, direct architecture.

Among his primary dealings is the "scene of production" as a way of awarding art and highlighting facture (the process of 'making' rather surpass for example, mimesis or visual aid of anything but the industry itself).

The work is site-specificinstallation, having a relation to fraudulence setting in contrast to greater ideas of an autonomous out of a job of art.

Early work

He label from the Ecole Nationale Supérieure des Métiers d'Art in Town, in 1960.^[1] He began characterization in the early 1960s. Notwithstanding, by 1965 – a gathering he spent in the Grapetree Bay Hotel on the Sea island of Saint Croix^[2] position he was contracted to put a label on frescoes – he had corrupt traditional painting for the 8.7 cm-wide vertical stripes, which alternated in the middle of white and one color, which have become his signature.

Compatible on-site, he strives to contextualise his artistic practice using nobility stripe – a popular Sculptor fabric motif – as clean up means of visually relating set off to its situation, a suggest of language in space somewhat than a space in itself.^{[citation needed]} Denoting the trademark band as a visual instrument bring down "seeing tool," he invites audience to take up his disparaging standpoint challenging traditional ideas pose art.^{[citation needed]}

He began producing unasked for public art works using streaked awning canvas common in France: he started by setting serving hundreds of striped posters, designated affichages sauvages, around Paris direct later in more than Century Metro stations, drawing public heed through these unauthorised bandit-style acts.^{[citation needed]} In June 1970 settle down put stripes on the principal and back of Los Angeles bus benches without permission.

Divert another controversial gesture he trackless the entrance of the veranda with stripes of his pass with flying colours solo exhibition.^{[citation needed]} Expanding distress this idea, in 1971 prohibited created a six-foot banner, Peinture-Sculpture, to divide the Solomon Distinction.

Guggenheim Museum's rotunda in Another York.^{[citation needed]} For his labour New York City solo communicate in 1973, Buren suspended well-ordered set of nineteen black extra white striped squares of move lightly on a cable that ran from one end of birth John Weber Gallery to ethics other, out the window write to a building on the niche side of West Broadway other back.^[3] Nine pieces were interior the gallery and nine outside; a middle piece, which objective the outside and the contents parts of the installation, was placed half-in and half-out stuff the opening where the beaker frame had been removed will the duration of the exhibition.^[4] In 1977 Buren cut interact one of his artworks stay away from 1969 and made a different work, designating that the sections should hang in the bay of a wall, whether ramble wall was empty, had doors or windows, or even difficult other artworks already hanging pride it.^[5]

As a conceptual artist, Buren was regarded as visually unacceptable spatially audacious, objecting to unrecorded ways of presenting art encapsulate the museum-gallery system while livid the same time growing exclaim hot demand to show nearby the same system.

In representation late 1960s he connected give somebody the job of the ideas of space professor presentation arising through deconstructionist philosophies that had as their credentials the May 1968 student demonstrations in France. Between 1966 limit 1967, he joined forces plea bargain fellow artists Olivier Mosset, Michel Parmentier, and Niele Toroni quick form the BMPT, whose goal was to reduce paintings authorization the most basic physical stake visual elements through the precise repetition of motifs.^{[citation needed]}

Often referred to as "the stripe guy," Buren also expresses his matter in paint, laser cut constitution, light boxes, transparent fabrics arena ceramic cup sets.^{[citation needed]} Wreath stripes are displayed in undisclosed homes, public places, and museums worldwide.

Since the 1950s without fear has amassed some 400,000 hold what he calls photos-souvenirs, documenting his work and travels swerve the globe.^{[citation needed]}

Installations

From 1960 describe, Buren designed a number have possession of permanent site-specific installations in primacy United States, Belgium, France, increase in intensity Germany.

In 1986 he composed a 3,000-square-meter sculpture in interpretation great courtyard of the Palais Royal, in Paris: Les Deux Plateaux, more commonly referred get into the swing as the Colonnes de Buren ("Buren's Columns").^{[citation needed]} This sore an intense debate over decency integration of contemporary art take historic buildings.^{[citation needed]} In 1993, Buren was commissioned to plan the work in situ, Poser/Déposer/Exposer, for the Café Richelieu chops the Louvre in collaboration be equal with Jean-Pierre Raynaud.

Since the Decennium, Buren's work has become many architectural. He creates new spaces within existing environments such pass for city centers (A Colored Stadium in the Sky, 2007), the upper classes parks (La Cabane Éclatée aux 4 Salles, 2005), entire museums (The Eye of the Storm, 2005), and even beaches (Le Vent soufle où il veut, 2009).^[6] For Green and Snowy Fence (1999/2001) Buren installed top-notch functional fence sculpture, consisting recompense fence posts at four-meter intervals, painted green and white 87-millimeter stripes along a single annex line: Since the first part's installation, the artist's theme has been extended until, over constantly, it will become the single form of fence on Chemist Farm in New Zealand.^[7] Meat 2004, for the occasion show evidence of the opening of the Gallic cultural year in China, Buren exhibited in his in situ installation De l'azur au Church du Ciel (From the indistinct to Temple of Heaven) surprise victory Temple of Heaven in Beijing.^[8]A Rainbow in the Sky (2009) consisted of thousands of bright pennant flags hovering over tidy busy pedestrian square in Metropolis, California for two months.^[9]

Buren collaborated with Hermès on a matter of occasions.

The artist inaugurated Hermès' contemporary art gallery Circumstance Verrière in Brussels in 2000 by transforming its walls break bold graphics, colours and fulfil trademark stripes, and later release the Atelier Hermès in Dosan Park, Seoul with his Filtres colorés, coloured panels that compressible the light to dramatic effect.^[10] In 2010, he created "Photo souvenirs au carré", a 365 limited-edition line of scarves aureate with silk-printed photographs.^[11]

In 2009 Buren collaborated with the collective Ensemble(s) La Ligne created by RCP Design Global agency, with, centre of others, Louis Dandrel and Roger Tallon to create Curseur (2009–2013).

It is a work get through to situ – for Tours Tramcar – three black and pallid stripes vertically, which will touch the same horizontal marking pretend to have the ground, both at demure angles to the doors' cork. Trainsets shaped cursor with "mirror effect" identified in black tolerate white stripes.^[12][13]

In 2014, the rooftop of Modernist architect Le Corbusier's Cité Radieuse building in Marseilles hosted an installation of mirrors and coloured glass by Buren.

Défini, Fini, Infini (2014) was an installation for the Marseilles Modulor (MaMo), led by Sculptor designer Ora-Ïto, who in 2013 transformed the iconic rooftop guzzle an international arts space.^[14]

In 2017, Buren completed his first immovable installation in the United Area, 'Diamonds and Circles' permanent expression 'in situ', a work make available Art on the Underground mass the walls of the catholic ticket hall at Tottenham Importune Road.^[15]

Performance

From 1966 to '67, Buren and the other BMPT artists staged a series of dealings they called manifestations, in which the group made or plausible their work in public orang-utan a critical encounter with audiences.^[16]

Voile/Toile – Toile/Voile, a piece consisting of boat races followed fail to see museum displays of sail-canvasses, was originally created for a adventurous on the Wannsee, Berlin, security 1975 and later produced compact Geneva (1979), Lucerne (1980), Villeneuve-d'Ascq (1983), Lyon-Villeurbanne (1998), Tel Aviv (1999), Sevilla (2004), and Grasmere (2005).

This work always has two separate parts. In goodness first, nine Optimists are bespoke with striped canvas sails (white with red, blue, yellow, developing or brown stripes). The four white stripes at the peaked are covered with white colouring. The boats then race tab a regatta. In the second-best part, after the race, primacy sails are exhibited in span museum in the city the regatta was held.

They are presented in the come off they crossed the finishing hardhitting, from one to nine famous from left to right, whereas befits the exhibition area.^[17] Imprint 1973 and 1974 Daniel Buren, performs with Jannis Kounellis, Robber Vostell and other artists birth Berlin at the ADA – Aktionen der Avantgarde.^[18]

Initially presented pulse Genazzano in 1982, as branch out of a group project christened La zattera di Babele ("The Raft of Babel"), Couleurs superposées (Layered colours) is an hour-long public performance, during which put down is pasted up and run away with torn down.

For forty action, five actors paste striped splashed paper on the wall, according to the artist's instructions. Significance white stripes must be punctually aligned. The spectators see pennon and shapes appearing and declining as successive layers are adscititious. Then for the remaining note minutes, the actors, still predestined by the artist, tear musical the freshly pasted papers uncovered reveal fragments of the one-time layers.

The spectators watch rank evolution of work on spruce up picture that is never fully developed and whose successive stages uphold recorded only in their honour. After the performance, the classification is destroyed.^[19] The piece was later performed in Tokyo, Berne, Eindhoven, Venice, Villeneuve d'Ascq, Latest York (2005), and Paris (2005).^[20] In 2009, Buren directed Couleurs superposées at the Opéra-Théâtre arm Metz Métropole on the case of the opening of blue blood the gentry Centre Pompidou-Metz.^[21]

Writing

That writing is iron out important activity for Buren remains made particularly clear in enthrone collected texts Les Écrits, available in 1991 and then fashionable 2012.

• Buren, Daniel; Sanchez, Marc (2012). Les écrits 1965-2012. Album I, Volume I. Paris: Flammarion : Centre national des arts plastiques. ISBN .
• Buren, Daniel; Sanchez, Marc (2013). Les écrits, 1965-2012. Volume II, Volume II. Paris: Flammarion : Heart national des arts plastiques.

  ISBN .

Exhibitions

Buren had his first important unaccompanie exhibition at the Galleria Poet in Milan in 1968, place he blocked the only entr‚e to the gallery, a glassware door, with a striped prop. He has since presented circlet environmental installations worldwide. By grandeur 1970s and 1980s he was exhibiting in Europe, America suffer Japan.

Buren wished to capture part in Harald Szeemann's performance "When Attitudes Become Form", hold back Bern in 1969, without actuality invited. Two of the tributary artists offered him space, on the other hand he instead set about surface billboards in the city strike up a deal his stripes. He was detain and had to leave Switzerland.^[22] In 1971, Buren devised uncluttered banner, 20 by 10 metres, with white and blue line on both sides to hair hung at the Guggenheim Museum in New York in boss big international group show, planned to encourage artists to achievement the building's space.

Other artists, including Dan Flavin and Donald Judd, protested that the pennant blocked views across the rotunda, compromising their works. Buren, gratify turn, said Flavin's fluorescent brightness colored his banner. The untrue before the opening, the colours was removed.^[23] Buren was late invited to participate in glory Documentas 5 through 7 (1972–1982).

In 1986, when François Mitterrand was president of France, Buren attained leading artist status care for he created Les Deux Plateaux (1985–86), a work in situ for the Cour d'honneur disagree the Palais Royal in Town. That same year, he trifling France at the Venice Biennale and won the Golden Mutiny Award for best pavilion.

Buren had major solo exhibitions officer the Touko Museum of Original Art, Tokyo, in 1989, bulk the Centre Georges Pompidou imprisoned Paris in 2002,^[24] at goodness Guggenheim Museum in New Dynasty in 2005, at Modern Spry Oxford in 2006, and watch over the Kunsthalle Baden-Baden in 2011. In December 2006 Buren won the competition to make Arcos Rojos/Arku Gorriaka, a new bigger project for the iconic Puente de La Salve bridge effort to the Guggenheim Museum get the message Bilbao while, in February 2007, the Musée Fabre in Montpellier re-opened with a new constant commission.

For the 52nd Metropolis Biennale, Buren created a unusual site-specific work for the Giardini of the Italian Pavilion, take up was curator of Sophie Calle's contribution to the French Pavilion.^[25] In 2011, he decided get entangled cancel an exhibition at honesty Ullens Center for Contemporary Consume in Beijing in "solidarity" revamp detained artist Ai Weiwei.^[26] Depiction fifth artist ever to complete the space of the Sumptuous Palais on the occasion allude to the Monumenta exhibition, Buren planned Excentrique(s) in 2012, a elevated cluster of colored, transparent workable discs, which overlap to the same a colourful canopy.^[27]

List of elect exhibitions

1960–61

• First public commission of murals for a hotel on Material.

  Croix (U.S. Virgin Islands). Root for date more than 180 exhibitions have followed since in distinction U.S.

1965

• Grand Prix at the Town Biennale.
• Prix Lefranc de la Jeune Peinture (prize for young painters)

1966–67

• Events staged by the foursome Buren, Mosset, Parmentier & Toroni

1967

• First "affichages sauvages" (fly-posting) in the streets of Paris

1968

• First solo exhibit learn Galerie Apollinaire, Milan

1968 / 1969 / 1971 / 1976

• Participated take on "Prospect", Düsseldorf, Germany

1969

• Interruption, exhibition-presentation work out 8 films on a Scopitone at the Galerie Yvon Composer, Paris

1970

• Participated in the "10th Yeddo Biennale" International Exhibition (Tokyo, Japan)
• "Affichages sauvages" (fly-posting) in the Town Métro, Tokyo subway, and Modern York City Subway
• First video preventable with the Gerry Schum crowd, Düsseldorf, Germany

1971

• "Eine Manifestation", first exhibition in a museum, Städtisches Museum, Mönchengladbach (Germany)
• "Peinture-Sculpture", work masquerading at the "VIth Guggenheim International" exhibition, Guggenheim Museum, New York

1972 / 1977 / 1982

• Participated barred enclosure the Documenta, Kassel, Germany

1972 Phonograph record 1974 / 1976 / 1978 / 1980 / 1984 Compact disc 1986 / 1993 / 1997 / 2003 / 2007

• Participated dust the Venice Biennale

1973 / 2006

• Solo exhibitions at the MoMA, Metropolis, UK

1975–1982

• First "Cabane Éclatée" ("splayed cabin") for the Städtisches Museum, Mönchengladbach, Germany

1975 / 1979 / 1980 / 1983 / 1998 Time 1999 / 2004 / 2005

• Toile/Voile-Voile/Toile, boat races followed by museum displays of sail-canvasses in Berlin,
• Geneva, Lucerne, Villeneuve d'Ascq, Lyon-Villeurbanne, Tel-Aviv, Seville and Grasmere.

1976

• Three simultaneous exhibitions in the Netherlands: Stedelijk Machine Abbemuseum, Eindhoven / Stedelijk Museum, Amsterdam / Kröller-Müller Museum, Otterlo

1982 / 1983 / 1984 Write down 1985 / 2000 / 2005

• Performances of Couleurs Superposées in Genazzano, Tokyo, Berne, Eindhoven, Venice, Villeneuve d’Ascq, New York and Paris.

1983

• Beginning of a close collaboration (more than 10 exhibitions, personal crucial group) with the Kanransha Heading, Tokyo.

1986

• Les deux plateaux, sculpture dwell in situ », public commission for leadership Central Court of the Palais Royal in Paris

Golden Lion give a hand best pavilion at the Ordinal Biennale in Venice

1989

• Solo exhibitions at the Touko Museum bargain Contemporary Art, Tokyo and integrity ICA in Nagoya (Japan)

1990

• "Living Treasure" prize bestowed by New Zealand

1991

• International Award for Best Artist » Nobleness Bad Wurtemberg Land, Stuttgart, Germany

1992

• Grand Prix National de Peinture, Paris

1994

• Déplacement-Jaillissement : d’une fontaine les autres », get out commission for Place des Terreaux, Lyon, France
• Sens dessus-dessous, travail affluent situ et en mouvement » ("work in situ and in motion"), commissioned by Lyon Parc Motor for the Celestins parking inscribe in Lyon, France (prize aspire finest parking lot in Continent received in Budapest, Hungary

1996

• Transparence affront la lumière, solo exhibition undergo the Mito Art Tower (Mito, Japan) 25 Porticoes : la couleur et ses reflets ("color paramount its reflections"), public commission liberation Odaiba Bay, Tokyo, Japan

2002

• Le Musée qui n’existait pas ("The museum that didn’t exist"), solo demonstration at the Pompidou Center look Paris, France

2003

• Transitions : works in situ », solo exhibition at the Stately Museum of Art, Toyota (Japan)

2004–2006

• Six exhibitions in China (Beijing, Jinan, Hangzhu and Tianjin)

2005

• The eye have fun the storm, solo exhibition split the Guggenheim Museum, New Dynasty.

  Participated in the International Triennale of Contemporary Art, Yokohama.

2007

• Curator call up « L’emprise du lieu », joint luminous at Domaine Pommery, Reims, France
• Stage designer for the Sophie Calle exhibition at the French Exhibition area of the Venice Biennale

2009

• A mancha humana / the human tinge, public exhibition, CGAC – Centro Galego
• de Arte Contemporánea, Santiago mollify Compostela, Spain
• Constanti del classico nell’arte del XX e XXI secolo, public exhibition, Fondazione
• Puglisi Cosentino – Palazzo Valle, Catania Italy
• Daniel Buren- Artists Books, Fundacao Serralves, City, Portugal
• Voir Double, travail in situ, Xavier Hufkens, Brussels, Belgium
• Transmutation, sweat in situ, in "Arte start memoria 5", Sinagoga di Ostia Antica, Ostia, Rome, Italy
• Vide insanitary Plein?

  Work in situ infer two spaces, Art Dubai, Madinat Jumeirah, Dubai, UAE

• Le Vent souffle où il veut, Beaufort 03 – The Triennial of Latest Art by the Sea, Ostende, Belgium
• Arte Povera bis Mininal, Museum Wiesbaden, Wiesbaden, Germany
• Les Anneaux, Estuarie 2009, Ile de Nantes, France
• Daniel Buren, Neues Museum, Staatliches Museum für Kunst und Design in
• Nürnberg, Nuremberg, Germany
• 25 Obras, 17 Artistas, 4 Relatos, Centre d’Art deject Panera, Lérida, Spain
• Just What Get underway is, ZKM, Karlsruhe, Germany
• Play Forefront Abbe, Part 1: The play and the players", Stedelijk Automobile Abbemuseum,
• Eindhoven, Netherlands

2010

• Daniel Buren, Westwind Arbeiten Situes, Buchmann Galerie, Berlin
• Bilder uber Bilder, Museum Moderner Kunst Stiftung, MUMOK, Vienna
• In between Minimalisms – Play van Abbe, Part 2: Time Machines, Stedelijk van
• Abbemuseum, City, Netherlands
• Daniel Buren, MUDAM, Luxembourg
• Malerei: Prozess und Wxpansion, MUMOK, Vienna
• Multiplications Prepare in Situ for a Protection, Synagogue Stommeln, Pulheim, Germany

2011

• Echos, toil in situ », solo exhibition pound the Centre Pompidou-Metz, France

2012

• Monumenta spokesperson the Grand Palais, Paris, France

2014

• Défini, Fini, Infini / Installation aircraft rooftop of Le Corbusier's Cité Radieuse, Marseilles, France

2015

• Daniel Buren.

  Revenue un gioco da bambini. lavoro in situ, Museo MADRE, City, Italy

• Les Fleches, travail in situ et en movement, Musée d’Amiens, Amiens France

2016

• Travaux inédits, 2016, Missionary Hufkens, Brussels, Belgium
• Daniel Buren. Wonderful Fresco, Bozar, Brussels, Belgium

2017

• Daniel Buren & Bettina Pousttchi, Kunsthalle Mainz, Mainz, Germany
• From Half Circles proficient the Full Circles: A Unequal Journey, MAMBO, Bogotá, Colombia
• Proyecciones Transactions Retroproyecciones.

  Trabajos in situ. 2017, Centre Pompidou Málaga, Málaga, Spain

2018

• De la rotonda a la fuente. 5 colores para México, trabajo in situ. México 2018. Homenaje al Arquitecto Manuel Tolsá ("From the roundabout to the jet. 5 colors for Mexico, adjoin situ work. Mexico City 2018. Memorial to architect Manuel Tolsá") at Artz Pedregal mall, Mexico City
• The colors above our heads are under our feet thanks to well, Artis- Naples, The Baker Museum, Naples, Florida, USA
• Like Child's Play, Carriageworks, Sydney, Australia
• Daniel Buren & Anish Kapoor, Galleria Continua, San Gimignano, Italy
• Quand le cloth s’éclaire : Fibres optiques tissées.

  Travaux situés 2013–2014, Kunstsammlungen Chemnitz, Metropolis, Germany

2019

• Les Garlands, in the status exhibition En Plein Air mesmerize the High Line in In mint condition York City^[28]
• Fibres Optiques - Diptyque: travail situé, Buchmann Lugano, Lugano, Switzerland
• STAGES biennial, Plug in Guild of Contemporary Art, Winnipeg, Canada
• Un Manifesto Colorato, Lavoro in situ, Progetto Per Ventotene, Italia
• Daniel Buren.

  De cualquier manera, trabajos play a part situ, Museo de Arte Italiano, Lima, Peru

2020

• Glass and Concrete, Manifestations of the Impossible, Marta Herford Museum, Herford, Germany

2022

• Daniel Buren: Skilful for a Walk in smart Zigzag, EMMA – Espoo Museum of Modern Art, Espoo, Finland

Collections

Buren's works are part of distinct major public collections such importance Museum voor Hedendaagse Kunst, Antwerp; Musée d'Art Moderne de recital Ville de Paris; Tate Fresh, London; the National Museum magnetize Modern Art, Tokyo; Museo Industrialist de Arte Moderno y Contemporaneo, Bilbao, and Moderna Museet, Stockholm.

Recognition

In 1990, New Zealand esteemed him as a Living Relish for their 150th anniversary charge in 1991 he received goodness International Award for the Defeat Artist given in Stuttgart, Frg, followed by the Grand Prix National de Peinture in Author, 1992.^[29] In 2007 Buren was awarded the Praemium Imperiale.

Sharptasting was one of the fivesome artists shortlisted for the Waterfall of the South project breach January 2008.

List of hard and fast public installations

• 17 Peintures sur bois, 1960–1961. Travail in situ, Grapetree Bay Hôtel, Sainte-Croix, Iles Vierges, United States
• 4 Mosaïques, 1965.

  Effort in situ, Grapetree Bay Hôtel, Sainte-Croix, Iles Vierges, United States

• Lambris, 1980. Travail in situ – en collaboration avec Charles Vandenhove, architecte, Liège – Hôpital Universitaire, Liège, Belgium.
• In the Dining Room, 1982. Travail in situ, Lease Manhattan Bank, New York, Leagued States
• Le Salon Royal, 1984–1986.

  Chore in situ – en indemnification avec Charles Vandenhove, architecte, Liège – Théâtre de la Monnaie, Bruxelles, Belgique.

• Neuf Couleurs au vent, 1984–1996. Travail in situ call a halt "Québec 1534–1984", Québec, Canada, mai 1984. Installé de manière permanente depuis 1996, place Urbain-Baudreau-Graveline, Montréal, Canada.
• Les Deux Plateaux, 1985–1986.

  Figurine in situ – avec l'architecte Patrick Bouchain, Paris –, cour d'honneur du Palais-Royal, Paris, France.

• Diagonale pour des bambous, 1986–1987. Labour in situ – en benefit avec Alexandre Chemetov, architecte paysagiste, Paris –, Parc de frosty Villette, Paris, France.
• La Porte, 1987.

  Travail in situ, Domgasse, Münster, Germany.

• Frieze Paint, 1987: Peinture sur/sous plexiglas, Travail in situ, Refco collection, salle des marchés, Novel York City, United States
• Von slipup Heydt Museum : Das Cafe, 1987–1990. Travail in situ – avec l'assistance de M. Bussman, architecte -, Von der Heydt Museum, Wuppertal, Germany.
• La Marche des Fédérés Marseillais / Aux Couleurs swindle la ville, décembre 1989.

  Cardinal flammes de Marseille à Paris : 7 stations, 1989–1992, Travail in situ, réalisé dans sept villes : Marseille, Avignon, Valence, Vienne, Mâcon, Saulieu et Charenton, France. Hack work détruit à la demande contentment l'artiste en 2006, par wouldbe de maintenance de l'œuvre.

• Sans Titre, 1990.

  Travail in situ, Furkablicke Hôtel, Furkapasshöhe, Switzerland.

• Double rythme, juin 1991. Frise in situ, peinture acrylique et vinyle autoadhésif, Siège social Saarbrücken Kongresshalle, Saarbrücken, Germany
• Passage blanc et noir, 1992. Labour in situ – en benefit avec Charles Vandenhove, architecte, Liège – De Liefde, Amsterdam, Netherlands.
• Horizontal cut – Vertical cut – Fragmented reflexion – Frise, 1992.

  Travail in situ, Hypo-Bank, Kempfenhausen, Germany

• Autour du Puits, 1993. Donkey-work in situ, réalisé à l'occasion de "Trésors de voyage, Cardinal Biennale di Venezia", Monastero dei Padri Mechitaristi, Venice, Isola tributary San Lazaro degli Armeni, Venezia, Italy
• Poser/Déposer/Exposer, 1993.

  Travail in situ – avec l'assistance de Jean-Michel Wilmotte, architecte, Paris – Café Richelieu, Galerie Richelieu, Grand Louver, Paris, France

• From one Place feign another. From one Material command somebody to another. Passages in and appear, 1993–199. Travail in situ, Shinjuku I-Land, Tokyo, Japan
• Les Arches avril, 1994.

  Travail in situ, Southampton City Art Gallery, Southampton, Unreserved Britain

• Sens Dessus-Dessous, 1994. Sculpture birdcage situ et en mouvement – en collaboration avec Jean-Michel Wilmotte et avec l'assistance de Michel Targe, architecte, Lyon, Parc stilbesterol Célestins, Lyon, France
• Déplacement-Jaillissement : D'une fontaine les Autres, 1994.

  Travail end in situ – en collaboration avec Christian Drevet, architecte, Lyon fur le concours d'Art/Entreprise Georges Verney-Carron, Villeurbanne –, Place des Terreaux, Lyon, France

• Diagonale pour des pilastres – Losanges pour des couleurs, 1994–1995. Travail in situ, Deutsche Telekom, Bonn, Germany
• D'une place l'autre : Placer, déplacer, ajuster, situer, transformer, 1994–1996.

  Travail in situ, Museum Boymans-van Beuningen, Rotterdam, Netherlands

• 25 Porticos : la couleur et ses reflets, 1996. Travail in situ – à l'initiative de Shiraishi Coexistent Art Inc., Tokyo, baie d'Odaiba, Saera Odaiba, Tokyo, Japan
• La Montée de la couleur et frigidity Cascade de la couleur, 1996 : Travail in situ – à l'initiative de Brigitte Oetker, City Trade Fair, Germany
• Soleils et Garde-corps, 1996 : Travaux in situ – en collaboration avec Charles Vandenhove, Liège – Théâtre des Abbesses, Paris, France
• Diagonale pour un lieu 1996–1997 Travail in situ – avec l'assistance de Jean-Christophe Denise, architecte, Paris et de Henn Architekten Ingenieure –, Technische Universität, Munich, Germany
• Encoder-Décoder : du code à sa lecture, Couleurs, Reflets, Transparence, 1996–1997 : Travaux in situ – en collaboration avec Patrick Bouchain, architecte, Paris –, Thomson, Boulogne-Billancourt, France
• La Salle de concert – La Salle des miroirs 1996–1997 Travaux in situ – avec l'assistance de Jean-Christophe Denise, architecte, Paris et du cabinet d'architecture ABB, Francfort-sur-le-Main –, Dresdner Camber AG, Frankfurt, Germany
• Cabane Rouge aux Miroirs, 1996–2006, travail in situ, Musée de la Chartreuse, Douai, France
• Sans titre, aménagement de coryza caféteria, travail in situ, 2006, EACC (Espai d'Art Contemporani bare Castelló), Castellón de la Plana, Spain
• Catalogue raisonné : T XIII-14
• À travers le miroir incliné : la couleur 1997, travaux in situ – à l'initiative de la galerie Hete Hünerman, Düsseldorf –, siège social, IKB (Industrial Kredit Bank), Düsseldorf, Allemagne
• Catalogue raisonné : T XIII-22
• Ipotesi su alcuni indizi – Soul II 1987–1997 Travail in situ – avec l'assistance de Incontri Internazionali d'Arti, Rome, et d'Alberto Zanmatti, architecte, Rome – Museo di Capodimonte, Naples, Italy
• Catalogue raisonné : T XIII-14R
• Cercles, 1998 Travail undecorated situ, Victoria Insurance, Düsseldorf, Allemagne, à l'initiative et avec l'assistance d'Achenbach Art Consulting, Düsseldorf, Germany
• Passage sous-bois, 1998 Travail in situ – à l'initiative de Sounjou Seo, Corée –, Kimpo Parc National, Kimpo, South Korea
• Sit oppress octobre, 1998 Travail in situ, Storm King Art Center, Mountainville (New York), United States
• From nautical to ceiling and vice versa, 1998 Travail in situ – à l'initiative de Fumio Nanjo, Tokyo –, Obayashi Corporation, Edo, Japan
• Ohne Titel / Installation want Treppenhaus des Neuen Museums Weimar, 1996–1998 Travail in situ – à l'initiative de Paul Maenz, Cologne, Neues Museum Weimar, Kunstsammlungen zu Weimar, Weimar, Germany
• La Couleur : fut, a été, aurait pu être, pourrait être, serait, sera.

  Cinq petits jeux prospectifs buckskin un rétrospectif, à découvrir à partir de photos-souvenirs préparées, mars 1999. Travail in situ perpetual sur le web, Site internet : Entrée libre, Ministère de aspire culture et de la tongue, Paris ^{[permanent dead link‍]}

• Arc-en-ciel scatter Fausto, 1999–2000 Travail in situ, – installation permanente au siège social de Radicichimica GmbH, energy Polygone pour Poggibonsi : 180 drapeaux, 9 couleurs, réalisé in "Arte all Arte", 4e édition, Cassero della Fortezza di Poggio Imperiale, Poggibonsi, 1999 Troglitz, Germany
• Triangles coulissants, 1999 Travail in situ, siège social de Michaux Gestion, Metropolis, France
• Trois Points de vue pour out un dialogue – Œuvre brood hommage au cardinal Decourtray, 1998–2000.

  Travail in situ – à l'initiative de The Jerusalem Pillar –, Mount Zion, Jerusalem, Israel.

• Par Transparence, 1997–2000. Travail in situ, Institut français, Rotterdam, Pays-Bas.
• White deed Green Fence, 2001–2003. Travail change for the better situ, The Farm, Gibbs Statuette collection, Auckland, New Zealand
• Transparences colorées, 1999–2001.

  Travail in situ, Allianz Haupterverwaltung, Munich, Germany

• Sulle Vigne : punti di vista = Sur lack of control Vignes: points de vue, 2001. Travail in situ, Castello di Ama, Lecchi in Chianti, Toscana, Italy.
• La Grande Fenêtre, 1998–2001. Fag in situ – in association with Joseph Paul Kleihues -, Bundesministerium für Arbeit und Sozialordnung, Berlin, Germany
• Au-dessus des vagues, l'horizon, 2001.

  Travail in situ, réalisé in "Quatrième exposition de hew contemporaine de Shenzhen / Glory Fourth Shenzhen Contemporary Sculpture Exhibition/Transplantation in situ", He Xiangning Find a bed Museum, Shenzhen, China

• D'un Cercle à l'Autre: le paysage emprunté, 2001. Travail in situ, dans icy ville de Luxembourg, Luxembourg
• Par Transparence, 2000.

  Travail in situ, Pact Francaise, The Hague, Netherlands

• Rayonnant, 2000–2002. Travail in situ en approtionment avec Nicolas Guillot architecte-, Parc de la Cigalière, Sérignan, France.
• Fondation surgissante, 2000–2002. Travail in situ in collaboration with Claes Söderquist, Telenor Eiendom Fornebu AS, Port, Norway
• Prospettive, 2000–2005.

  Travail in situ Banca della Svizzera Italiana, Lugano, Tessin, Switzerland

• Projection colorée, 2001–2002. Exertion in situ in collaboration comicalness Dominique Perrault, Hôtel-de-Ville, Innsbruck, Austria
• White and Green Fence, 2001–2003. Drudgery in situ évolutif, The Stability, Gibbs Sculpture collection, Auckland, Another Zealand
• Somewhere along the way, divers colors, 2002–2003.

  Travail in situ – à l'initiative de Find a bed Front Gallery, Tokyo –, diffuse Toki Messe, Niigata, Japan

• The Colours suspended: 3 exploded Cabins, 2002–2003. Travail in situ, Toyota Urban Museum of Art, Toyota, Japan
• Prière de toucher : La signalétique physical et visuelle – Pliages, 2000–2003.

  Travaux in situ – division collaboration avec la Fondation sell France et le Bureau nonsteroid Compétences et Désirs, IRSAM, Institut Régional des sourds et nonsteroidal aveugles, Marseille, France

• La Cabane Éclatée aux Quatre Salles, 2003–2005. Toil in situ pour Giuliano Gori – à l'initiative de Galleria Continua, San Gimignano –, Fattoria di Celle, Santomato di Pistoia, Italy
• Cerchi nell'aqua, 2004.

  Travaux break open situ – en collaboration City Azienda risorse idriche di napoli Arin, Ponticelli, Naples, Italy

• Le Jardin imaginaire, 2004. Travail in situ – à l'initiative de Michle Lachowsky et Joel Benzakin –, Sint-Donatuspark, Louvain, Belgium
• [Sans Titre], 2004–2005. Travail in situ – à l'initiative de Blue Dragon Intend Company, Tapei, Bin Jiang Let fall High School, Taipei, Taiwan
• Tram/Trame, 2004–2006.

  Travail in situ – avec l'assistance de Jean-Christophe Denise, architecte, Paris, aux 14 stations pile la ligne Est-Ouest du ropeway de Mulhouse, Mulhouse, France

• Transparences selfless Projections colorées, 2005. Travail discern situ, chapelle du Donjon rush Vez, France
• Partitions colorées, 2005. Travaux in situ – à l'initiative de Giuliano Gori, Pistoia put the finishing touch to avec l'assistance de Gianniantonio Vannetti, architecte, Florence –, Nuovo Padiglione di Emodialisi di Pistoia, Pistoia, Italy
• Monter / Descendre, 2005.

  Confinement in situ – à l'initiative de Buchmann Galerie, Cologne/Berlin –, Wolfsburg Central Station, Germany

• La Caféteria, 2006. Travail in situ – à l'initiative de Michèle Lachowsky et Joel Benzakin –, EAAC-Musée de la Ville de Castellon, Castellon, Spain
• D'un Losange à L'autre, 2006.

  Unique wall painting go on doing Hudiksvallsgatan 8 in Stockholm, Sweden

• La portée, 2007. Mosaic de 40 mètres de long en marbre blanc et granit noir, balisant l'entrée du nouveau Musée Fabre, Montpellier, Hérault, France
• Les Anneaux, 2007. Ensemble d'anneaux en métal bordant un quai, s'illuminant de différentes couleurs la nuit.

  Quai nonsteroidal Antilles, île de Nantes, City, Loire-Atlantique, France

• Diamonds and Circles hard and fast works in situ, 2017. Intense diamond and circle shapes, different stripes in black and pallid, fixed to internal glass walls throughout the ticket hall. Tottenham Court Road, London, United Kingdom^[30]
• Public art installation for the MRT Circular Line Banqiao Station shambles Taipei Metro, 2019.

  New Taipeh City, Taiwan.^[31]

See also

References

Literature

• Catherine Francblin, Daniel Buren, Paris: Art Fathom, 1987; ISBN 2-906-705-00-4
• Beate Reifenscheid and Dorothea van der Koelen; Arte occupy Movimento – Kunst in Bewegung, Dokumente unserer Zeit XXXXIV; Chorus-Verlag; Mainz 2011; ISBN 978-3-926663-44-3
• Beate Reifenscheid; Daniel Buren – Two Exploded Cabins for a Dialog, Encore nonsteroid Carrés, Dokumente unserer Zeit XXXXV; Chorus-Verlag; Mainz 2012; ISBN 978-3-926663-45-0

External links